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Oil painting Golden vase Alexander Strashevich

Oil painting Golden vase Alexander Strashevich

SKU:Strash24

Regular price $630.00 USD
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№Strash 24

"Golden Vase" by Alexander Strashevich is an abstract exploration of form and elegance. The painting presents a stylized vase filled with leaf-like shapes, employing warm shades of gold, brown, and cream. The fluid lines and geometric patterns give the impression of a delicate arrangement, while the choice of colors radiates a sense of richness and warmth.

In this work, Strashevich may be expressing the concept of nature’s bounty and beauty encapsulated in an artful, contained form. The vase and leaves could symbolize growth, nurturing, and the blending of natural elements with human-made forms. This composition invites viewers to appreciate the harmony between structure and organic flow, much like a floral arrangement that has been stylized into a pure visual form.

*** ABOUT THIS PAINTING ***
* TITLE: "Golden vase"
* ARTISTS: Alexander Strashevich
* SIZE: 50x50 cm/19.68x19.68 inches
* MEDIUM: oil, cardboard
* HAND PAINTED: Original painting from our collection
* CONDITION: we tried to convey the maximum information with the help of photos about this product

About the artists: Strashevich Alexander Vladimirovich

Born 1951 in Odessa, Ukraine

1970 – graduated from the Odessa Art College. Grekova.

1975-1990 – worked as a muralist.

1977 - member of the National Union of Artists of Ukraine.

Since 1970 – participant of city, all-Ukrainian and foreign exhibitions.

The creative heritage of Alexander Strashevich includes not only works of monumental painting, but also paintings of building interiors, exterior mosaics, and sculptural works.

In his work, Alexander prefers a modern plastic and color worldview, which allows him to harmoniously combine his works with modern interiors, including those in the high-tech style. His works show a plastic connection between sculpture and painting. He prefers abstract and postmodern styles, although he also writes realistic works.
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